Saturday, April 29, 2017

Out of One’s Comfort Zone


Now that I’m done with college for the summer, I plan to concentrate on two things. One is the 4th
Image courtesy of alexisdc at FreeDigitalPhotos.net
Werewolves of Rebellion novel, but even more so is my new novel I hope to send to my agent before school starts again.

I’ve talked to several authors who say they don’t like to step out of their comfort zones when it comes to writing. One might insist he will never write anything other than horror. Another may insist she will write only paranormal romance…then I hear complaints about declining sales when the market shifts.

Publishing is a fickle business. Just as there are trends in movies, music, and fashion, there are trends in fiction.

Paranormal romance is fading. I’ve realized this, so I am now making a big change. I’m going out on a limb and writing something brand new.

The thing with me, as a writer, is that I’ve always rolled with the punches and changed things up over the years, so trying something new in fiction isn’t really new to me after all. Heck, I got my official start as a paid writer by writing for national men’s hubba-hubba magazines. I didn’t like writing such material, but it paid the bills as well as buying a mountain of school supplies and clothes for my kids. As time went on I left that market (free internet sites forced it to disappear) and moved into short fantasy fiction for a while. The internet pushed that market to dry up, too, so I shifted into penning erotic romance novels and from there into paranormal romance…

So what is this new endeavor? Sorry, (grins sheepishly), I never announce what I’m writing unless it’s a series in progress like The Werewolves of Rebellion. This new novel, however, is a genre and a theme that I’ve never ever considered before. But you know what? I’m looking forward to writing it, exited actually. It’s new. It’s a challenge. It’s going to be so damn hot readers will have to keep a fire extinguisher in their laps while they read.

{rubs hands together} Now to get started on it. Free! Free for an entire summer! Mwahaha!

Before I go, peeps, investigate the book tabs at the top of the page or click on the covers to the left and read samples of The Werewolves of Rebellion. Also, I would sooo appreciate it if you would spread the word about my site and my books. <3 And lastly, if you would, become a follower of my site. By doing so, each new post that I publish will be sent to your email (I do not have time for a newsletter, lol). Leave me comments. I’ll respond!

Happy reading!

Sunday, April 2, 2017

Are You A Reading Zombie?


Do you read or do you read?
Image courtesy of Pitiya at FreeDigitalPhotos.net

What I mean is whether or not one reads just to absorb the general plot and characters or if you read and therefore catch the subtle nuances of a character’s behavior. Do you read and catch the foreshadowing, the ties to things that don’t seem to mean anything in chapter four but suddenly make brilliant sense in chapter fourteen? Do you notice the symbolism an author may use or the recurring themes throughout the novel?

So I ask again—do you read or do you read?

Before I go any further, this post is NOT directed at anyone. The following musings I’m about to share with you are just that—my observations of late that lead to wonderings and ponderings about fiction writing, the reading of fiction, and how I apply what I notice in today’s publishing field to my own work.

With the e-book market inundated by e-pubs that pop up then disappear like corner quickie marts, combined with the fact anyone who wants to write anything can self-publish as easily as breathing, I find myself considering the fact that the actual art of composing a story is vanishing. It scares me, scares me for the future readers just learning their ABCs, and it frightens me for the future of language and writing in general. This leads to the question—are readers truly focusing on their reading material? In the romance writing/reading communities I see comments such as “Oh, the hero is sex on legs!” or “I was disappointed that there wasn’t more sex in the book.” What about the plot? The actual story line? The climactic scene? Etc.? 

It makes me wonder, too, if authors are writing more fluff just to crank out books and earn more royalties. Sure writers want to make money and support themselves or use royalties for a supplement income, but is there a line where creativity is sacrificed for some extra dough?

Do readers pay attention to character development, settings that serve the scenes well, the subtle hints that a character really isn’t who he or she presents him or herself as, that maybe, just maybe there’s more to Aunt Geraldine’s story of murdering Uncle Ray in self-defense than meets the eye? And what about catching those big blunders such as a character being in the chapel on the south side of town, when he is already shopping for Wonder Bread on the north end of town? How about when
Tonya’s eyes are green on page ten but suddenly blue on page ninety-two? Are writers not checking their work, leaving it strictly for an editor’s weary, blood-shot eyes (coming from an editor of nearly twenty years who has only recently rid herself of the weary, blood-shot eyes syndrome). 


Is true reading dead? Or, as the photo to the left indicates, is true writing dead or, if not dead, its on its way to being passé? Has the utter enjoyment of absorbing and enjoying each word of a novel become a carcass of bleached bones within the human mind? Analyzing fiction as one reads is becoming a lost ability—or is it? For me, fluff reading is fine in the doctor’s office waiting room or the long drive to Grandma’s house, but when I want to read a book, really read a book, I want it to be entertaining as well as sexy. Gripping and poignant. I want a novel, whether romance, sci-fi, or horror, to make me think, to make me cry, to make me go “OMG, I hope to write something this good one day.” My writing is not fluff. Sometimes there are fluffy moments in my work, usually unexpected humor, but I strive to write material that’s everything I want to read.


I don’t want to be a reading zombie.


Do you?



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Please scroll down the very next post and check out my new book just released this week, or go to the top of the page and click on the New Releases page to see all my latest works.

Saturday, April 1, 2017

Persephone's Beastly Lover


Book three now available!

Persephone Jones is part of a paranormal investigation team out of Detroit. She manages all the information the team gathers on cases, but everyone suspects there’s more to Seph than she’s letting on—she’s a medium, a powerful one. When the team is called by Jack Henessy, a member of the Werewolves of Rebellion MC, to investigate disturbances in his new home, Seph and Jack are possessed by the entities and inadvertently participate in a kiss that rocks them both with its intensity and sets them on an intertwined path.

Jack finds that he will do anything to protect Seph, anything to claim her. However, he’s uncertain if she feels the same way about him. Seph’s past is shrouded, even from her, and she’s hiding something buried so deeply that it takes an explosive night of sex to unlock the secret. However, someone has a bone to pick with Jack. A stalker targets him, then goes after Seph. Between bags of weed planted in his home and a shooter taking pot shots at him, Jack must learn who has a vendetta against him and why. When Seph is nearly killed by a few Wraithkillers, it plunges the Werewolves of Rebellion into the path of the most unexpected culprit of all.

It will take Seph’s mysterious past and the kindness of an abused spirit to save Jack and his MC family. Once Seph’s true identity is revealed, there’s no turning back.



Riverdale Avenue Books http://bit.ly/2mSrc89

Amazon http://amzn.to/2oCpsfw

Smashwords http://bit.ly/2oeFNLk

Bookstrand http://bit.ly/2nuci4i

Kobo http://bit.ly/2nqXAdH
Google Play Books http://bit.ly/2mZ3Vld

Check out the New Releases page for info on books one and two.